Italian Painter, ca.1470-1531 Italian painter. He worked in Venice, the Veneto and Lombardy in the early decades of the 16th century. Knowledge of him is based largely on the signatures, dates and inscriptions on his works. His early paintings are small devotional pictures; later he became a fashionable portraitist. His earliest dated painting, a Virgin and Child (1502; Venice, priv. col., see Berenson, i, pl. 537), is signed 'Bartolomeo half-Venetian and half-Cremonese'. The inscription probably refers to his parentage, but it also suggests the eclectic nature of his development. This painting is clearly dependent on similar works by Giovanni Bellini and his workshop, but in a slightly later Virgin and Child (1505; Bergamo, Gal. Accad. Cararra) the sharp modelling of the Virgin's headdress and the insistent linear accents in the landscape indicate Bartolomeo's early divergence from Giovanni's depiction of light and space. An inscription on his Virgin and Child of 1510 (Milan, Ercolani Col.) states that he was a pupil of Gentile Bellini, an assertion supported by the tightness and flatness of his early style. The influence of Giovanni is still apparent in the composition of the Circumcision (1506; Paris, Louvre), although the persistent stress on surface patterns and the linear treatment of drapery and outline is closer to Gentile. Bartolomeo's experience as a painter at the Este court in Ferrara (1505-8) probably encouraged the decorative emphasis of his style. In the half-length Portrait of a Man (c. 1510; Cambridge, Fitzwilliam) the flattened form of the fashionably dressed sitter is picked out against a deep red curtain so that the impression of material richness extends across the entire picture surface.  Related Paintings of BARTOLOMEO VENETO :. | Portrait of a Woman | Portrait of a Woman kki | Woman Playing a Lu | John the Baptist | Portrait of a Gentleman |
Related Artists:
Trigoulet Eugene
French ,1867-Berck-sur-Mer 1910
Sebastiaen Vrancx
(22 January 1573 - 19 May 1647) was a Flemish Baroque painter and etcher of the Antwerp school. He was an apprentice in the workshop of Adam van Noort, who also trained many illustrious painters such as Peter Paul Rubens, Jacob Jordaens and Hendrik van Balen. He also visited the workshop of the Antwerp painter Paul Bril in Rome around 1600. He was esteemed as one of the main painters of battle scenes, and works by Vranckx were in the collection of Peter Paul Rubens. As a collaborator he worked at times with Jan Brueghel the Elder. and together with Rubens, Frans Francken the Younger, van Balen, Frans Snyders and Joos de Momper the Younger on the Allegory of the Senses, two works commissioned on the occasion of the archduke Albert of Austria's visit to Antwerp. His best-known student is Pieter Snayers. Most of his pictures represent biblical scenes or scenes of war, such as the sack of towns, cavalry combats, genre paintings and allegorical subjects. Though occasionally vigorous in drawing, his paintings are dull and heavy in tone. He was at the same time a writer of poetry, comedies and tragicomedies for the chamber of rhetoric De Violieren. He was served as dean of the Antwerp painters' Guild of St. Luke, and was a district head and captain of the militia. His works can be found in the Royal Museum of Fine Arts in Antwerp, Groeninge Museum in Bruges (both in Belgium) and the Noordbrabants museum in 's-Hertogenbosch and the Rijksmuseum in Amsterdam (the Netherlands). He is also represented with several drawings or paintings at the Hermitage in Saint Petersburg, the Harvard University Art Museums, the Louvre, Paris and several other museums.
Alexey Danilovich Kivshenko
painted Michail Illarionovich Kutuzov in 1880